THE RACKET
starring Thomas Meighan, Louis Wolheim and Marie Prevost
PHOTOPLAY
August, 1928
An underworld story of nightsticks, bootleg and bullets that presents Tommy Meighan in his most distinguished role since "The Miracle Man." It is a crook classic.
Louis Wolheim, as a bootlegging gunman, gives an interpretation that stands as a masterpiece. For suspense, grim humor and compelling characterization, this picture will be difficult to beat. Those who saw the play will discover little lost in its transfer, although a more comprehensive treatment is afforded by the screen. The role of Nick Scarsi is one of contemptible villainy, but Wolheim imbues it, through his imcomparable touch, with that subtle sympathy and fascination which, since time immemorial, have given glamour to the bad man. And in direct contrast, Meighan presents an up-standing Irish police captain who can't even SPELL the word "fear." This characterization should set the censors to cheering and should also stimulate much general respect for the arm of the law.
The story deals with the struggles of a lone cop to upset graft, political corruption and governmental rottenness that foster city-wide liquor rings and gang wars. Two rival booze barons embroil their forces in war in this captain's district. The love interest is superficial -- which proves that excellent photoplays can be made without love.
Every character in the picture is superb. Marie Preevost is
marvelously hard-boiled, as per scenario requirements. The reporters
are splendid. And a gold medal should be given Lewis Milestone
for his effective direction. No one can afford to miss this.
Video source: Turner